Bleak. Desperate. Violent. Acerbic. Mike Leigh’s Naked is as relevant in Post-Brexit Britain as it was almost thirty years ago upon release. It explores themes of misogyny, class, conspiracy and religion, and like most of Leigh’s films, refuses to resolve anything, leaving us to think about which side of history we want to be on. Filmed at the height of post-Thatcherite Conservatism, and in a particularly grim time for the country economically, culturally and with waning influence in the world, Naked could just as easily have been released this year to the same effect.