Reviews: Foreign Language Featured Jul 30, 2024 The Legacy of Park Chan-Wook Jul 30, 2024 Jul 30, 2024 Jul 2, 2024 Plan 75’s Choices: Where Life Happens For You, Not To You Jul 2, 2024 Jul 2, 2024 Mar 30, 2024 The Rain’s Misery & Majesty: The Fallen Priest of Godland Mar 30, 2024 Mar 30, 2024 Nov 15, 2023 Ingmar Bergman Ranked, Worst to Best Nov 15, 2023 Nov 15, 2023 Dec 28, 2022 Fitzcarraldo’s Burden Dec 28, 2022 Dec 28, 2022 Nov 1, 2022 More War Than Peace: Sergei Bondarchuk’s 4 War & Peace Films (1966-67) Nov 1, 2022 Nov 1, 2022 Jul 12, 2022 Beanpole’s Frozen Trauma Jul 12, 2022 Jul 12, 2022 Feb 25, 2022 “We Screwed Every Night. The Forecast Was For Storms.” (Betty Blue) Feb 25, 2022 Feb 25, 2022 Oct 20, 2021 Don’t hate the player, hate the game: Netflix’s breakout hit Squid Game Oct 20, 2021 Oct 20, 2021 Jul 20, 2021 "I have no conscience, only nerves”: Andrei Tarkovsky’s Stalker Jul 20, 2021 Jul 20, 2021 Jun 25, 2021 Minari Jun 25, 2021 Jun 25, 2021 Mar 17, 2021 Retrospective: Cinema Paradiso Mar 17, 2021 Mar 17, 2021 Nov 18, 2020 Review: Harakiri Nov 18, 2020 Nov 18, 2020 Oct 13, 2020 Review: Roma Oct 13, 2020 Oct 13, 2020 Apr 10, 2017 Aquarius and Brazilian Cinema Today Apr 10, 2017 Apr 10, 2017 Dec 1, 2016 Death in Sarajevo Dec 1, 2016 Dec 1, 2016 Nov 14, 2016 The Führer Film – Look Who’s Back and the tale of two Hitlers Nov 14, 2016 Nov 14, 2016 Nov 7, 2016 PFF25: Neruda Nov 7, 2016 Nov 7, 2016 Nov 6, 2016 Weekly French Film: Bande de Filles Nov 6, 2016 Nov 6, 2016 Oct 30, 2016 Weekly French Film: Don't Worry I'm Fine Oct 30, 2016 Oct 30, 2016 Oct 26, 2016 Weekly Horror: Les Diaboliques Oct 26, 2016 Oct 26, 2016 Oct 19, 2016 Weekly French Film: Entre Les Murs Oct 19, 2016 Oct 19, 2016 Apr 11, 2016 Review: Jules and Jim Apr 11, 2016 Apr 11, 2016 Apr 1, 2016 Review: Journey to Italy Apr 1, 2016 Apr 1, 2016 Mar 28, 2016 Four Eisensteins: Battleship Potemkin Mar 28, 2016 Mar 28, 2016
