A Beginner's Guide to the French New Wave
Luke Weidemoyer Luke Weidemoyer

A Beginner's Guide to the French New Wave

The French New Wave was a radical departure from conventional filmmaking. Utilizing jump cuts and location shooting on a yet-unseen scale, the movement prioritized low-budget, singular films that allowed creatives to break out of the confines of the studio system. New Wave films were further proof for domestic and international audiences that film was more than mere entertainment.

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“We Screwed Every Night. The Forecast Was For Storms.” (Betty Blue)
Matthew Shadbolt Matthew Shadbolt

“We Screwed Every Night. The Forecast Was For Storms.” (Betty Blue)

I always forget how much I love Jean-Jacques Beineix’s 1986 Betty Blue. A perennial eighties student favorite, and often a gateway drug into modern French cinema, it has all the hallmarks of a movie which stays with you long after the credits roll. In my case, this has been decades, but I only recently watched it again after a very long hiatus. I still love it. Exquisite cinematography, the tempestuous, passionate, charged voltage of its two main characters, the haunting soundtrack, and best of all, just the wonderful original Philippe Djian storyline all combine perfectly into a tale of maddening, violent, deteriorating unraveling.

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