Zbigniew Rybczyński's Orchestra
Today everyone lives in a high-definition world of 4k streaming, 1080p resolution graphics, and the seemingly endless technological horizon of greater and greater picture clarity. Zbigniew Rybczyński’s 1990 hour-long art film, The Orchestra is not this.
Avatar 2: A Reminder of the Power of Cinema
Karan Sampath reviews James Cameron’s newest tale in the world of Pandora, Avatar: The Way of Water.
Bros and the Absurdity of Modern Dating
There is something so utterly ridiculous and yet so completely sweet about Billy Eichner’s Bros. Only Eichner could write a movie about a podcast host, working as one of the museum curators at a new LGBTQ+ museum, falling in love with an estate attorney/aspiring chocolatier. Bobby Lieber (Eichner) must navigate not only the complex world of modern dating but also the nuances and changing discourse around gay culture. And it all works just about perfectly.
Fitzcarraldo’s Burden
German film director Werner Herzog often reminisces of the lost art of being able to trust our eyes. How everything we see in modern movies is informed by digital manipulation, sophisticated editing, and the sheer total commercial management of putting something on the screen. He laments the early days of cinema, where what was projected was so believable that, so the stories go, audiences would flee terrified from their seats at the prospect of a train coming towards the camera. Somewhere along the way, we lost this terror.
Irma Vep: The Glory of a Reboot
Irma Vep is the film lover’s dream – to get to watch a fictional production with all the troubles and beauty of the filmmaking process put on full display.
More War Than Peace: Sergei Bondarchuk’s 4 War & Peace Films (1966-67)
When older generations say that they don’t make movies like they used to, they’re talking about Sergei Bondarchuk’s War and Peace films, released between 1966 and 1967. An absolutely breathtaking series of four individual movies spread out over seven hours, they recount Tolstoy’s epic tale of Russian aristocratic and military perspective during the Napoleonic invasion of the early nineteenth century in elaborate, authentic and highly orchestrated detail.
Lyle Lyle The … Sexualized Crocodile?
From the first release of promotional materials, it was already unclear what the target audience would be for Lyle, Lyle, Crocodile. Based on the beloved children’s book, the film seemed to want to bring in too many people at once: adults with an affinity for big name actors like Javier Bardem, musical theater folks with an affinity for Benj Pasek and Justin Paul, kids with an affinity for CGI-ed crocodiles, and … the one person out there who thought the crocodile should be voiced by Shawn Mendes?
Doctor Strange: In The Multiverse of Lameness?
I watched Multiverse of Madness, also called MoM by some fans, with great excitement, only to be let down in many interesting ways. But, nevertheless, the film drastically shifted the trajectory of the MCU and is vital regardless of its divided reception.
The Missing Pieces of Lynch's Pink Room
Attempting to adequately interpret David Lynch’s Twin Peaks is a fool’s errand, but since its release in 1990 it hasn’t stopped thousands of well-intentioned sleuths from trying. The attempts to connect the numerous disparate threads of story and character with broader themes of anything from societal collapse, the interpretation of dreams, alternate realities and autobiography itself have far eclipsed the original two seasons.
Say Yes to Nope
This visually striking film isn’t as scary as the trailers make it out to be, but instead it is a story about family bond, the history and importance of the black community in filmmaking, and of course, alien invasion.
For the First Time Ever, Christianity Is the Butt of a Joke,Thanks to ‘Honk for Jesus, Save Your Soul’
If you were driving down a highway and saw a sign that said “Honk for Jesus” would you honk? Would you go to a church that advertised itself? Would you even go to a church that was located on a highway? Despite being non religious, I considered these questions while watching the climax of Honk for Jesus, Save Your Soul, directed by Adamma Ebo, as Trinitie Childs practically begs the passersby to honk for her sanity (and Jesus).
The Greatest Movie Never Made: Kubrick’s Napoleon vs. Bondarchuk’s Waterloo
In late 1969, Stanley Kubrick was busy. His career-defining 2001: A Space Odyssey had been an enormous directorial and technical success, he was in the middle of editing the dystopian A Clockwork Orange, and beginning to circle what he thought would be his next grand project, a definitive biographic story of Napoleon. Like all Kubrick projects, especially those following 2001: A Space Odyssey, the process for developing the script, and the sheer effort which went into the production was total. For years, Kubrick had planned to create a biographical film of Napoleon’s life, and had engaged hundreds of production staff in gathering as much information as possible about the era. From costumes, interiors, historical records, surviving written evidence, academic historiography, everything was completely exhaustive, and all of it would go into the creation of what Kubrick believed would be one of the greatest historical films ever made.
Morbius: It's Morbin' Time
Morbius, released in April 2022 and starring Jared Leto as the titular character, has been the subject of many viral Twitter threads…if only because it somehow became a meme completely unrelated to the plot of the movie itself. To be completely honest, I don’t remember watching most of the movie. In fact, I fell asleep multiple times, including towards the very end. So, this review will consist primarily of the little I still remember, why I fell asleep, and why its main character has become a highly successful meme.