Raya and the Last Dragon
Cultures throughout human history have been able to unite around a simple fact: Dragons. Are. Awesome. Raya and the Last Dragon takes inspiration from Southeast Asian culture to tell the story of Raya, a battle-hardened princess fighting to unite the divided land of Kumandra. The movie is Walt Disney Animation’s first original feature film since Moana in 2016.
Wandavision & What’s to Come from Marvel
WandaVision, starring Elizabeth Olsen and Paul Bettany, concludes with a dramatic ending, inducing surprise, joy, grief, and for some eager fans, disappointment. The 9-episode Disney+ series combines sci-fi, drama, comedy, fantasy, mystery and of course, action. Its weekly serialized format makes room for eager Marvel geeks around the world to take to the internet to predict what comes next for the show that starts in a very confusing, open-ended way.
Alan Bennett's Talking Heads
In Pink Floyd’s Time, we learn that ‘hanging on in quiet desperation is the English way’, and this is certainly motivation for much of Alan Bennett’s wonderful Talking Heads series. Originally a collection of twelve fictional thirty-minute monologues first broadcast in 1988, they have recently been remade with contemporary actors, and specifically produced by the BBC under lockdown conditions.
Nomadland: A Study of Grief and Freedom
Nomadland, directed, written, and edited by newcomer Chloé Zhao, is a quiet study of grief, solitude, and the unspoken promises we make to ourselves and others. The film follows Fern (Frances McDormand), a recently unemployed widow, as she embarks on a solo expedition through the American west. She has no set destination, simply wandering from campsite to campsite, job to job, meeting eclectic yet oddly familiar characters; untethered nomads seeking temporary comfort in endless desert expanses, vast seaside cliffs, and each other.
Review: Normal People
2020 made us understand our need for intimacy, contact, and company. Normal People came at the perfect time to fulfill that need. The series elevates an evocative, layered book by Sally Rooney into a visual adaptation of astounding depth and virtuosity.
The show tells the story of the relationship of Connell and Marianne, two ambitious teenagers from the Irish town of County Sligo. It spans their evolution and growth during the span of 5 years, as they leave high school and go to university at Trinity College, Dublin.
Easy A: A Showcase & A Time Capsule
Let me start by acknowledging how unusual the plot is. The movie centers around a lonely teenage girl becoming an outcast after being shamed and bullied about losing her virginity. Not exactly Ferris Bueller's Day Off material. With that said, Emma Stone brings a certain sense of perky wit and sarcasm that makes the journey enjoyable and pleasant.
Retrospective: Cinema Paradiso
Cinema Paradiso is a film engrained with the sweet and sentimental feeling of nostalgia. It is one that evokes memories and moods reminiscent of times when movie theaters and gatherings were places of great joy and shared camaraderie. It is a movie with personality, taking its viewers through the highs and lows of life, within which we see our own experiences and personal connection. What follows is an introspection of the reasons why I believe this film is an Academy Award winner and said to be one of the best foreign-language movies of all time.
I Blame Society: A Q&A with Director/Co-Writer Gillian Horvat
I Blame Society is a terrifyingly brilliant satirical film that touches upon many important issues of our time: sexism, art, crime, and Hollywood disillusion. Directed by Gillian Horvat & co-written by herself and Chase Williamson, the semi-fictional story follows ‘Gillian’ (a semi-fictional character played by Horvat herself), as she works on a film based on a semi-compliment from a few of her friends that she would make a good murderer. Frustrated by the constant rejection and belittling of her talent, Gillian decides to take the film to the finish line completely on her own, exploring how far her character can go in planning murders, while taking a camera with her wherever she goes no matter how her friends or boyfriend feel about it.
Revisiting O Brother, Where Art Thou?
I think we can all agree that there’s something uniquely, well, peculiar about the Coen brothers’ movies. And yet, Joel and Ethan Coen are considered two of the greatest writers and directors of American cinema -- and for good reason. Their films combine quirky and lovable characters, laugh-out-loud humor, and an intriguing aesthetic. O Brother, Where Art Thou? presents all of these and more. Still, our modern understanding of race and representation require us to examine it with a critical lens.
"Give Me A Child Until He Is 7" (The Up Series)
The Greek philosopher Aristotle once said, “Give me a child until he is 7 and I will show you the man.” This serves as the central premise of Michael Apted’s groundbreaking independent documentary series, Up.
Running in the UK since 1964, it has followed the lives of a diverse group of English seven-year-olds, with the loose goal of looking into the development of the country’s leaders in the year 2000. In 1971, we checked in with them at 14 Up, and every seven years since, all the way through to the most recent installment, 63 Up, with many of the original participants now retired, no longer with us, all contemplating the lives they’ve led.
Review: The Little Things
Ladies and gentlemen, we have entered the pulp noir renaissance. It’s no secret that the crime genre is booming, with countless films and television shows garnering extreme view counts and high ratings on streaming services, such as Netflix’s new series Night Stalker. People love to see thrilling chases, genius detectives, and justice in action. Director John Lee Hancock steps up to the plate with The Little Things, featuring an Academy Award-winning cast of Denzel Washington, Rami Malek, and Jared Leto.
The Moviegoer's Favorite Rom-Coms
Want to watch a romantic comedy this Valentine's Day but you're too overwhelmed with the sheer number of options? The Moviegoer's got you covered - here are our favorites!
"Even a stopped clock tells the right time, twice a day" (Withnail & I)
Easily one of the most tender yet acerbic, loving yet sarcastic, and hysterical yet desperate stories you’ll ever watch, Bruce Robinson’s 1987 autobiographical Withnail and I has always been one of my top five all-time movies. The story of two out-of-work and down-on-their-luck actors in London’s Camden Town at the tail end of the sixties features some of the best (and most quotable) dialogue ever to be put on screen, as well as outstanding performances from the two main protagonists: Richard E. Grant (The Player, Gosford Park, The Rise of Skywalker) as the entitled, dramatic Withnail, and Paul McGann (Doctor Who, Alien 3, Holby City) as ‘I’, who is never referred to by name in the movie, but who we know from Robinson’s screenplay is called Marwood.
Big Mouth Season 4 Review
I’m convinced Big Mouth is written by hyper-self-aware 13 year olds. It’s unapologetic in portraying some of the most embarrassing parts of growing up and its characters feel like honest middle schoolers — “I don’t like movies. I prefer watching YouTube 2 inches from my face,” says Nick. Over its four-season run, the Netflix animated series has perfectly captured the woes and wonders of puberty through inventive storylines and a signature raunchy humor that only preteens (and me, and all the reviewers who’ve given three seasons a perfect 100% on Rotten Tomatoes, and probably you) find funny. In season 4, each of Big Mouth’s flawed and lovable tweens work on forging their identities as adolescents, a struggle all of us can empathize with.
“It was easier when I just imagined you” - Postcards from Paris, Texas
To paraphrase Alan Bennett’s The History Boys, the best moments in watching movies are when you come across something – a thought, a feeling, a way of looking at things – you'd thought was special, particular to you. And here it is, set down by someone else, a person you've never met, maybe even someone long dead, as if a hand has come out and taken yours.
German director Wim Wenders’ 1984 movie Paris, Texas is precisely one of those experiences that stays with you long after the credits have rolled. It certainly has for me. Both his immigrant’s sense of wonder and amazement at the wide open spaces of the southern American landscape, and the personal stories of those who travel through them, are something that, as an immigrant myself, deeply resonate with me.